Jigsaw (Zine): Difference between revisions
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=== Summary === | === Summary === | ||
The beginning of the Zine is about an artist that the author likes (Kim Deal), and the author uses this to proceed into the topic of what the zine is about. She discusses society's avoidance of political conversation in sophisticated environments, and criticizes the concept of professionalism and sophistication in music. She goes on to discuss her sociopolitical beliefs; she condemns misogyny and sexism as anti-revolutionary in all forms, calls out racism in the punk and rock-and-roll scene, and criticizes homophobia as well. | The beginning of the Zine is about an artist that the author likes (Kim Deal), and the author uses this to proceed into the topic of what the zine is about. She discusses society's avoidance of political conversation in sophisticated environments, and criticizes the concept of professionalism and sophistication in music. She goes on to discuss her sociopolitical beliefs; she condemns misogyny and sexism as anti-revolutionary in all forms, calls out racism in the punk and rock-and-roll scene, and criticizes homophobia as well. | ||
=== Background === | |||
'''“'''Riot Grrrl” is the name of the movement that was started in the 90s by a small group of women, emerging from the punk society in Olympia, Washington. The movement aimed to provide a space where women could speak up and talk about sexual violence and sexual and gender discrimination, while also responding to the straight, white male domination in punk and rock culture. Riot Grrrl encouraged women to start bands, write zines, and share their stories and experiences in a safe, no judgement environment. The movement was also a space where individuals could express themselves and not be afraid to hide who they are, including being a woman, non-binary or transgender person, person of color, and/or queer individual. Riot Grrrl really opened the door for women in punk and rock, and bands like Bikini Kill, Bratmobile, and Heavens to Betsy heavily influenced the creation and spread of zines, more bands, and people willing to support the movement. | |||
Revision as of 06:23, 15 September 2025
Jigsaw is a zine, or fanzine, made by Tobi Vail in 1991. Jigsaw No. 3 combines social commentary, community outreach, and the interests of the authors. It covers a wide range of topics including bands, local performances, and politics.
Summary
The beginning of the Zine is about an artist that the author likes (Kim Deal), and the author uses this to proceed into the topic of what the zine is about. She discusses society's avoidance of political conversation in sophisticated environments, and criticizes the concept of professionalism and sophistication in music. She goes on to discuss her sociopolitical beliefs; she condemns misogyny and sexism as anti-revolutionary in all forms, calls out racism in the punk and rock-and-roll scene, and criticizes homophobia as well.
Background
“Riot Grrrl” is the name of the movement that was started in the 90s by a small group of women, emerging from the punk society in Olympia, Washington. The movement aimed to provide a space where women could speak up and talk about sexual violence and sexual and gender discrimination, while also responding to the straight, white male domination in punk and rock culture. Riot Grrrl encouraged women to start bands, write zines, and share their stories and experiences in a safe, no judgement environment. The movement was also a space where individuals could express themselves and not be afraid to hide who they are, including being a woman, non-binary or transgender person, person of color, and/or queer individual. Riot Grrrl really opened the door for women in punk and rock, and bands like Bikini Kill, Bratmobile, and Heavens to Betsy heavily influenced the creation and spread of zines, more bands, and people willing to support the movement.
